Riders On The Storm (Fredwreck Remix) · Snoop Dogg · The Doors
Riders On The Storm
℗ 2004 The Doors Music Company
Released on: 2007-01-01
Producer: Fredwreck Nassar
Associated Performer, Vocals: Jim Morrison
Associated Performer, Keyboards, Studio Personnel, Mixer: Fredwreck
Associated Performer, Keyboards: Ray Manzarek
Associated Performer, Guitar: Robby Krieger
Associated Performer, Bass Guitar: Eric Coomes
Associated Performer, Percussion: John Densmore
Associated Performer, Conga: B-Real
Studio Personnel, Engineer: Ernesto Medina
Studio Personnel, Engineer: Sean Tallman
Studio Personnel, Engineer: Dave Aaron
Studio Personnel, Mixer: Richard «Segal» Huredia
Studio Personnel, Additional Mixer: Dave Aron
Composer Lyricist: Ray Manzarek
Composer Lyricist: John Densmore
Composer Lyricist: Jim Morrison
Composer Lyricist: Robert Krieger
Instruments, Vocals: America
Bass: David Dickey
Engineer: Geoff Emerick
Producer: George Martin
Assistant Engineer: Tom Anderson
Drums, Percussion: Willie Leacox
Writer: Gerry Beckley
Coldplay and Richard Ashcroft performing at Live 8 in Londons Hyde Park on the 2nd July, 2005. Organised by Sir Bob Geldof and The Band Aid Trust to raise money to fight poverty around the world, the event was viewed by around 2 billion people.
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The Billboard chart for the week ending August 6, 1977 had Andy Gibbs «I Just Want To Be Your Everything» at #1, Bill Contis #1 «Gonna Fly Now» had dropped to #47 and The Brothers Johnson «Strawberry Letter #23» was on its way up at #34. The top new entry that week was Mecos future #1 hit «Theme From Star Wars» at #71. There were eleven other new songs that week and at #86 was this groundbreaking electronic disco tune from Donna Summer. It was the coda for her latest LP «I Remember Yesterday» which pretty much summed up pop music from the 40s to the future with each era having a song on the album. This songs unmistakeable intro of a rising synthesizer and at the crescendo, a dizzying array of layered synthesized sounds burst out of the radio at me that late spring. It started just as i got to the pharmacy and I had to turn off the car and listen to the whole thing while my sister waited digging the groove. Hypnotizing and mesmerizing, it was a watershed moment in pop history. Disco historians and critics both agree that «I Feel Love» is the birth of EDM (Electronic Dance Music), courtesy of Giorgio Moroder, Pete Bellotte and Donna Summer. Summers voice and Keith Forseys kick drum are the ONLY elements not created by a computer. Moroder had this idea for a song using oscillators to create a sonic disco experience and brought it to Summer. She said, «Giorgio brought me this popcorn track and I said What the hell is this, Giorgio?» The «popcorn» she was referring to was the 1972 single by Hot Butter, an early song that used the Moog Synthesizer to great effect that replicated the sound of popcorn popping and syncopating it with the electronic beats and bass. She finished the song «as a joke» not realizing the impact it was going to have. Summer notes that she knew the song was about the groove and that too many vocals would get in the way, so Pete Belotte wrote simple lyrics and she sang the song as if she were in a romantic reverie with her ice princess soprano and it fit perfectly. It was not considered for commercial release, and was the B side of «Cant We Sit Down And Talk It Over». DJ reaction was much stronger for the B side and Casablanca re-released the single with «I Feel Love» as the A side. Peaking at #4 disco and #6 pop in the US, it topped the UK charts for four weeks. Its influence never wavered and in 1982 Patrick Cowley, an ex-lightinh man and neophyte disco producer made a name for himself with his astonishing nearly 16 minute remix that actually improved on the original. For this version I have edited together the original 12" version, the hard to find instrumental version and finish off with Patrick Cowleys remixed version for 27 minutes of disco heaven. I spent more money trying to find a pristine vinyl copy of the Patrick Cowley remix from 1982, acquiring FIVE copies and finally found one that was crystal clear...I hope you keep with the whole trip here…
℗ 2011 Raincloud Productions Ltd., under exclusive licence to Universal International Music BV
Released on: 2011-01-01
Associated Performer, Bass Guitar, Synthesizer Programming, Guitar: John Deacon
Associated Performer, Guitar, Background Vocalist: Brian May
Associated Performer, Vocals: Freddie Mercury
Associated Performer, Drums, Background Vocalist, Synthesizer Programming, Percussion: Roger Taylor
Associated Performer, Synthesizer Programming: Fred Mandel
Producer, Unknown, Other: Queen
Producer, Studio Personnel, Engineer: Reinhold Mack
Studio Personnel, Engineer: Mike Beiriger
Studio Personnel, Asst. Recording Engineer: Stefan Wissnet
Studio Personnel, Mastering Engineer: Bob Ludwig
Studio Personnel, Mix Engineer: Kris Fredriksson
Unknown, Other: Mack
Unknown, Other: Bob Ludwig
Unknown, Other: Mike Beiriger
Composer Lyricist: John Richard Deacon
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Lyrics:
I love it when you call me señorita
I wish I could pretend I didnt need ya
But every touch is ooh la la la
Its true, la la la
Ooh, I should be running
Ooh, you keep me coming for you
Land in Miami
The air was hot from summer rain
Sweat dripping off me
Before I even knew her name, la la la
It felt like ooh la la la
Yeah no
Sapphire moonlight
We danced for hours in the sand
Tequila sunrise
Her body fit right in my hands, la la la
It felt like ooh la la la, yeah
I love it when you call me señorita
I wish I could pretend I didnt need you
But every touch is ooh la la la
Its true, la la la
Ooh, I should be running
Ooh, you know I love it when you call me señorita
I wish it wasnt so damn hard to leave you
But every touch is ooh la la la
Its true, la la la
Ooh, I should be running
Ooh, you keep me coming for ya
Locked in the hotel
Theres just some things that never change
You say were just friends
But friends dont know the way you taste, la la la
Cause you know its been a long time coming
Dont you let me fall
Ooh, when your lips undress me
Hooked on your tongue
Ooh love, your kiss is deadly
Dont stop
I love it when you call me señorita
I wish I could pretend I didnt need you
But every touch is ooh la la la
Its true, la la la
Ooh, I should be running
Ooh, you know I love it when you call me señorita
I wish it wasnt so damn hard to leave ya
But every touch is ooh la la la
Its true, la la la
Ooh, I should be running
Ooh, you keep me coming for you
All along Ive been coming for you
And I hope it meant something to you
Call my name, Ill be coming for you
Coming for you, coming for you, coming for you
For you (ooh, she loves it when I come)
For you
Ooh, I should be running
Ooh, you keep me coming for you