В обычном и суетливом городе Москве есть необычный Дом, обросший сотнями тайн и загадок. В этом доме есть странная квартира, в которой еще надолго не задержался ни один жилец…
И лишь тогда, когда в эту «милую» квартиру заезжает самостоятельная мама с очаровательной 8-летней дочерью Алиной, новые жильцы узнают, что жилплощадь их — непростая, а живет в ней самый настоящий Домовой. Только вот хранитель очага уже давно обиделся на весь род человеческий и сделает все вообразимые гадости, только бы остаться одному в злополучной квартире. Но всё меняется, когда Домовому бросает вызов злая колдунья…
В главных ролях:
Сергей Чирков
Екатерина Гусева
Александра Политик
Ольга Остроумова-Гутшмидт
Павел Деревянко
Юлия Сулес
Татьяна Орлова
Сергей Рубеко
Дмитрий Белоцерковский
Дмитрий Бедарев
год 2019
страна Россия
слоган «Кто в доме хозяин?»
режиссер Евгений Бедарев
сценарий Дмитрий Бедарев, Евгений Бедарев
продюсер Сергей Торчилин, Андрей Шишканов, Сергей Куликов
1200 г. до н.э. Древняя Греция. Прекрасная царица Алкмена попала под чары грозного бога Олимпа — Зевса и родила ему сына Геракла. При рождении ему было предсказано стать величайшим воином, который будет властвовать над народами и принесет мир и процветание своей стране. Но пока Геракл ничего не знает о своем предназначении. Он вырос прекрасным и сильным юношей. Он мечтает о любви принцессы Крита, Гебы, которая обещана в жены его брату. Когда Геракл узнает о своей великой миссии, он должен выбрать: сбежать со своей любовью или исполнить свое предназначение.
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The official music video for Gucci Mane, Bruno Mars, and Kodak Black’s “Wake Up In The Sky” – available now!
Stream/Download — guccimane.lnk.to/WakeUpInTheSkyAY
Chase is an electronic instrumental by Giorgio Moroder from the Academy Award-winning soundtrack and album Midnight Express (1978), then extended and released as maxi single and made the Hot 100 singles charts in January of 1979, charting as high as #33. Although originally branded as disco, the song is considered to be, along with Donna Summers «I Feel Love», a pioneer of the hi-NRG genre that came to prominence in the early 1980s. The music was arranged by Giorgio Moroder with Harold Faltermeyer.
Giovanni Giorgio Moroder is an influential Italian record producer, songwriter, performer and DJ. Moroder is frequently credited with pioneering synth disco and electronic dance music.
When in Munich in the 1970s, he started his own record label called Oasis Records, which several years later became a subdivision of Casablanca Records. He collaborated with Donna Summer during the era of disco (including «Love to Love You Baby» and «I Feel Love») and is the founder of the former Musicland Studios in Munich, a recording studio used by many renowned artists including Electric Light Orchestra, Led Zeppelin, Queen and Elton John.
In addition to producing several hits with Donna Summer, Moroder also produced a number of electronic disco hits for The Three Degrees, two albums for Sparks, a handful of songs on Bonnie Tylers album Bitterblue as well as her 1985 single «Here She Comes» and a score of songs for performers including David Bowie, Irene Cara, Madleen Kane, Melissa Manchester, Blondie, Japan, and France Joli.
Moroder made his first steps in music in the Scotch-Club in Aachen and then released a few singles under the name «Giorgio» beginning in 1966 after moving to Berlin, singing in Italian, Spanish, English, and German. He came to prominence in 1969, when his recording «Looky Looky», released on Ariola Records, was awarded a gold disc in October 1970. He then began making a name for himself in studios around Germany in the early 1970s. Often collaborating with lyricist Pete Bellotte, Moroder had a number of hits in his own name including «Son of My Father» in 1972, a No. 1 hit in Great Britain for Chicory Tip, before releasing the synthesizer-driven From Here to Eternity, a notable chartbuster in 1977. That same year he co-wrote and produced the seminal Donna Summer hit single I Feel Love. The following year he released «Chase», the theme from the film Midnight Express. «Chase» is often used on the American syndicated late night radio show «Coast to Coast» and was also used as an entrance theme for wrestlings group The Midnight Express. These songs achieved some chart success in the United Kingdom, the United States, and across Europe, and everywhere disco-mania was spreading. The full film score for Midnight Express won him his first Academy Award for Best Original Score in 1979. In 1979 Moroder released his album E=MC². Text on the albums cover stated that it was the «first electronic live-to-digital album.» He also released three albums between 1977--1979 under the name Munich Machine.
In 1984, Moroder worked with Philip Oakey of The Human League to make the album Philip Oakey
About the The Razors Edge:
AC/DC cracked the seal on the 90s with one of the best riffs of their career. That would be «Thunderstruck,» the opening track on The Razors Edge. In addition to «Thunderstruck,» the band brought out «Moneytalks,» probably the closest they ever came to writing a pop song. Then there was «Are You Ready» — one of their fiercest calls to action. The gritty edge and booming chants on this album were a welcome reminder for a new generation that pure, unadulterated rock n roll was alive and well.
Lyrics:
I was caught
In the middle of a railroad track (thunder)
I looked round
And I knew there was no turning back (thunder)
My mind raced
And I thought what could I do? (thunder)
And I knew
There was no help, no help from you (thunder)
Sound of the drums
Beating in my heart
The thunder of guns (yeah)
Tore me apart
We, we dont have to worry bout nothing
Cause we got the fire
And were burning one hell of a something
They, they gonna see us from outer space
Outer space, light it up
Like were the stars of the human race, human race
When the lights turned down, they dont know what they heard
Strike the match, play it loud, giving love to the world
Well be raising our hands, shining up to the sky
Cause we got the fire, fire, fire
Yeah, we got the fire, fire, fire
And we gonna let it burn, burn, burn, burn
We gonna let it burn, burn, burn, burn
Gonna let it burn, burn, burn, burn
We gonna let it burn, burn, burn, burn
We dont wanna leave
No, we just wanna be right now, right, ri-ri-right now
And what we see, is everybodys on the floor
Acting crazy, getting loco til the lights out
Musics on, Im waking up
We start the fire, and we burn it up
And its over now, we got the love
Theres no sleeping now, no sleeping now, sleeping now
When the lights turned down, they dont know what they heard
Strike the match, play it loud, giving love to the world
Well be raising our hands, shining up to the sky
Cause we got the fire, fire, fire
Yeah, we got the fire, fire, fire
And we gonna let it burn, burn, burn, burn
We gonna let it burn, burn, burn, burn
Gonna let it burn, burn, burn, burn
We gonna let it burn, burn, burn, burn
When the lights turned down, they dont know what they heard
Strike the match, play it loud, giving love to the world
We gonna let it burn, burn, burn, burn, burn, burn (ooh)
Burn, burn, burn, burn, burn, burn (ooh)
We can light it up, up, up
So they cant put it out, out, out
We can light it up, up, up
So they cant put it out, out, out
We can light it up, up, up
So they cant put it out, out, out
We can light it up, up, up
So they cant put it out, out, out
When the lights turned down, they dont know what they heard
Strike the match, play it loud, giving love to the world
Well be raising our hands, shining up to the sky
Cause we got the fire, fire, fire
Yeah, we got the fire, fire, fire
And we gonna let it burn, burn, burn, burn
We gonna let it burn, burn, burn, burn
Gonna let it burn, burn, burn, burn
We gonna let it burn, burn, burn, burn (let it burn)
When the lights turned down, they dont know what they heard
Strike the match, play it loud, giving love to the world
Well be raising our hands, shining up to the sky (burn, burn, burn, burn, we gonna let it burn, burn, let it burn)
Cause we got the fire, fire, fire
Yeah, we got the fire, fire, fire
And were gonna let it burn
The Beatles 1 Video Collection is out now. Available on: www.thebeatles.com/
Hey Jude topped the charts in Britain for two weeks and for 9 weeks in America, where it became The Beatles longest-running No.1 in the US singles chart as well as the single with the longest running time.
The Beatles did not record their promotional film until Hey Jude had been on sale in America for a week. They returned to Twickenham Film Studio, using director Michael Lindsay-Hogg who had worked with them on Paperback Writer and Rain. Earlier still, Lindsay-Hogg had directed episodes of Ready Steady Go! And a few months after the film for Hey Jude he made The Rolling Stones Rock and Roll Circus TV special that featured John and Yoko but wouldn’t be shown until 1996
To help with the filming an audience of around 300 local people, as well as some of the fans that gathered regularly outside Abbey Road Studios were brought in for the song’s finale. Their presence had an unlikely upside for The Beatles in their long-running saga with the Musicians’ Union in that the MU were fooled into believing the band were playing live, when in fact they were miming for the vast majority of the song. Paul, however, sang live throughout the song.
The video was first broadcast on David Frost’s Frost On Sunday show, four days after it was filmed. At that point transmission was in black and white although the promo was originally shot in colour. It was first aired in America a month later on 6 October 1968, on The Smotheres Brothers Comedy Hour.