Hello Cyberpunk fans! This is first Cyberpunk 2077 Radio Mix, back again. This is an aggressive mix of Electro/Cyberpunk music. Join my channel for more related music! (TRACKLIST BELOW)
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I cant go any further than this
I want you so badly, its my biggest wish
I spent my time just thinking thinking thinking bout you
Every single day yes, Im really missin missin you
And all those things we use to use to use to do
Hey girl, whats up, it use, it use to be just me and you
I spent my time just thinking thinking thinking bout you
Every single day, yes Im really missing missing you
And all those things we use to use to use to do
Hey girl whats up, whats up, whats up, whats up
Can you meet me halfway, right at the borderline
Is where Im gonna wait, for you
Ill be looking out, night n day
Took my heart to the limit, and this is where I stay
I cant go any further than this
I want you so bad its my only wish
Girl, I travel round the world and even sail the seven seas
Across the universe I go to other galaxies
Just tell me where to go, just tell me where you wanna to meet
I navigate myself myself to take me where you be
Cause girl I want, I, I, I want you right now
I travel uptown town I travel downtown
I wanna to have you around round like every single day
I love you alway ways
Can you meet me half way (Ill meet you halfway)
Right at the borderline
Thats where Im gonna wait, for you
Ill be looking out, night n day
Took my heart to the limit, and this is where Ill stay
I cant go any further than this
I want you so bad its my only wish
I cant go any further than this
I want you so bad its my only wish
Lets walk the bridge, to the other side
Just you and I (just you and I)
I will fly, Ill fly the skies, for you and I (for you and I)
I will try, until I die, for you and I, for you and I, for for you and I,
For for you and I, for for you and I, for you and I
Can you meet me half way
Can you meet me half way
Can you meet me half way
Can you meet me half way
Meet me half way, right at the borderline
Thats where Im gonna wait, for you
Ill be looking out, night n day
Took my heart to the limit, and this is where Ill stay
I cant go any further than this
I want you so bad its my only wish
I cant go any further than this
I want you so bad its my only wish
Coldplay and Richard Ashcroft performing at Live 8 in Londons Hyde Park on the 2nd July, 2005. Organised by Sir Bob Geldof and The Band Aid Trust to raise money to fight poverty around the world, the event was viewed by around 2 billion people.
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Lyrics:
You put me on a pedestal and tell me I’m the best
Raise me up into the sky until I’m short of breath
Fill me up with confidence, I say what’s in my chest
Spill my words and tear me down until there’s nothing left
Rearrange the pieces just to fit me with the rest
But what if I what if I trip, what if I what if I fall
Then am I the monster yeah, just let me know
what if I what if I sin, what if I what if I break
Then am I the monster yeah, just let me know yeaahhh
I was 15 when the world put me on a pedestal
I had big dreams of doing shows and making memories
Made some bad moves trying to act cool upset by their jealousy
Lifting me up, lifting me up, yeah and tearing me down, tearing me down, down, down,
Take responsibility for everything I’ve done, holding it against me like you’re the holy one
I had a chip on my shoulder, had to let it go
Cause unforgiveness keeps them in control, I came in with good intentions then I let it go
And now I really wanna know
What if I what if I trip, what if I what if I fall, I fall
Then am I the monster, just let me know
what if I what if I sin, what if I what if I break yeah
Then am I the monster, just let me know
Please just let me know
Please don’t let me fall
Oh please don’t let me fall
What if I’m the monster, what if I’m the monster yeah
Lyrics:
Down with the king for years, about ten of em
Recruiting suckers, Mac and Mike, and makin men of em
Tears and fears for my peers, they rippin
You think that it is, it is, if not it isnt
Race for the border my daughter, cause beats youre bangin out
Jeeps rockin beats in the streets when theres time for hangin out
Gather, or rather form a circle around a loud
cause brothers or others could never ever rock a crowd
Is it because hes runnin off with the mouth
Or was he really clearly tryin to play a nigga out
Nope, shut him down, the king with a crown
cause all you wanna be is dicky down
The Billboard chart for the week ending August 6, 1977 had Andy Gibbs «I Just Want To Be Your Everything» at #1, Bill Contis #1 «Gonna Fly Now» had dropped to #47 and The Brothers Johnson «Strawberry Letter #23» was on its way up at #34. The top new entry that week was Mecos future #1 hit «Theme From Star Wars» at #71. There were eleven other new songs that week and at #86 was this groundbreaking electronic disco tune from Donna Summer. It was the coda for her latest LP «I Remember Yesterday» which pretty much summed up pop music from the 40s to the future with each era having a song on the album. This songs unmistakeable intro of a rising synthesizer and at the crescendo, a dizzying array of layered synthesized sounds burst out of the radio at me that late spring. It started just as i got to the pharmacy and I had to turn off the car and listen to the whole thing while my sister waited digging the groove. Hypnotizing and mesmerizing, it was a watershed moment in pop history. Disco historians and critics both agree that «I Feel Love» is the birth of EDM (Electronic Dance Music), courtesy of Giorgio Moroder, Pete Bellotte and Donna Summer. Summers voice and Keith Forseys kick drum are the ONLY elements not created by a computer. Moroder had this idea for a song using oscillators to create a sonic disco experience and brought it to Summer. She said, «Giorgio brought me this popcorn track and I said What the hell is this, Giorgio?» The «popcorn» she was referring to was the 1972 single by Hot Butter, an early song that used the Moog Synthesizer to great effect that replicated the sound of popcorn popping and syncopating it with the electronic beats and bass. She finished the song «as a joke» not realizing the impact it was going to have. Summer notes that she knew the song was about the groove and that too many vocals would get in the way, so Pete Belotte wrote simple lyrics and she sang the song as if she were in a romantic reverie with her ice princess soprano and it fit perfectly. It was not considered for commercial release, and was the B side of «Cant We Sit Down And Talk It Over». DJ reaction was much stronger for the B side and Casablanca re-released the single with «I Feel Love» as the A side. Peaking at #4 disco and #6 pop in the US, it topped the UK charts for four weeks. Its influence never wavered and in 1982 Patrick Cowley, an ex-lightinh man and neophyte disco producer made a name for himself with his astonishing nearly 16 minute remix that actually improved on the original. For this version I have edited together the original 12" version, the hard to find instrumental version and finish off with Patrick Cowleys remixed version for 27 minutes of disco heaven. I spent more money trying to find a pristine vinyl copy of the Patrick Cowley remix from 1982, acquiring FIVE copies and finally found one that was crystal clear...I hope you keep with the whole trip here…
20 минут отборных приколов | Best Cube 2020 ДЕКАБРЬ Приколы
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Лучшие приколы 2020. Best Coub Compilation
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