I didnt want to be the one to forget
I thought of everything Id never regret
A little time with you is all that I get
Thats all we need because its all we can take
One thing I never see the same when your round
I dont believe in him-his lips on the ground
I wanna take you to that place in the "«Roche»"
But no one gives us any time anymore
He ask me once if Id look in on his dog
You made an offer for it, then you ran off
I got this picture of us kids in my head
And all I hear is the last thing that you said"
Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released in December 1973. It was McCartneys fifth album after leaving the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles – «Jet» and «Band on the Run» – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartneys critical standing. It remains McCartneys most successful album and the most celebrated of his post-Beatles works.
Track listing
All songs written by Paul and Linda McCartney, except «No Words» by Paul McCartney and Denny Laine.
1973 original release
Side one
«Band on the Run»
«Jet»
«Bluebird»
«Mrs. Vandebilt»
«Let Me Roll It»
Side two
«Mamunia»
«No Words»
«Picassos Last Words (Drink to Me)»
«Nineteen Hundred and Eighty Five»
Personnel
According to Bruce Spizer:
Band members
Paul McCartney – lead and backing vocals; bass, acoustic and electric guitars; piano, keyboards; drums, percussion
Linda McCartney – harmony and backing vocals; organ, keyboards; percussion
Denny Laine – harmony and backing vocals; co-lead vocals («No Words» and «Picassos Last Words»); acoustic and electric guitars; percussion
Additional personnel
Howie Casey – saxophone on «Jet», «Bluebird» and «Mrs. Vandebilt»
Ginger Baker – percussion on «Picassos Last Words»
Remi Kabaka – percussion on «Bluebird»
Ian Horne, Trevor Jones – backing vocals on «No Words»
3 uncredited session musicians – saxophones on «Jet»
Tony Visconti – orchestrations
Geoff Emerick – sound engineer
Riders on the storm
Riders on the storm
Into this house were born
Into this world were thrown
Like a dog without a bone
An actor out on loan
Riders on the storm
Theres a killer on the road
His brain is squirmin like a toad
Take a long holiday
Let your children play
If you give this man a ride
Sweet family will die
Killer on the road, yeah
Girl, you gotta love your man
Girl, you gotta love your man
Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah
Riders on the storm
Riders on the storm
Into this house were born
Into this world were thrown
Like a dog without a bone
An actor out on loan.
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy
he main footage in and around the amphitheatre was filmed over four days in October 1971, using the bands regular touring equipment, including studio-quality 24-track tape recorders. Additional footage filmed in a Paris television studio the following December was added for the original 1972 release. The film was then re-released in 1974
he film has subsequently been released on video numerous times, and in 2003 a «Directors Cut» DVD appeared which combines the original footage from 1971 with more contemporary shots of space and the area around Pompeii
Loops: 27
Audio edited on Audacity and GarageBand
Video created and edited on iMovie
Thumbnail created and edited on Powerpoint
Description created and edited on Notes and YouTube Studio
Copyright:
℗ ℗ 2009 Calderstone Productions Limited (a division of Universal Music Group)
Recorded: 1969/07/07,08,16; 1969/08/06,11,15,19
Released: 1969/09/26
George Harrison: Associated Performer, Vocalist, Background Vocalist, Acoustic Guitar, Guitars, Harmonium, Moog Synthesizer, Clapping, Percussion, Sound Effects
Paul McCartney: Associated Performer, Background Vocalist, Bass Guitar, Clapping, Guitars, Percussion, Sound Effects
Ringo Starr: Associated Performer, Drums, Handclaps, Percussion, Sound Effects
George Martin: Associated Performer, Harpsichord, Organ, Percussion, Sound Effects, Studio Personnel, Producer, Mixer
Glyn Johns: Studio Personnel, Engineer
Geoff Emerick: Studio Personnel, Recording Engineer, Mixer
Philip McDonald: Studio Personnel, Recording Engineer, Mixer
Alan Parsons: Studio Personnel, Assistant Recording Engineer
John Kurlander: Studio Personnel, Engineer
Mike Vickers: Programmer
Uncredited: 4 Violas, 4 Cellos, Double Bass, 2 Piccolos, 2 Flutes, 2 Alto Flutes, 2 Clarinets
Uncredited: John Lennon
Song written by George Harrison and performed by The Beatles in 1969.
All of the Rights are owned by The Beatles, Olivia Harrison, Sir James Paul McCartney, George Harrison, Sir Richard Starkey, John Lennon, Yoko Ono, EMI Records Ltd., Universal Music Group: UMG, UMG_MK (on behalf of Beatles, Calderstone, Parlophone, and Capitol Records), EMI Music Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA — UBEM, AMRA, ASCAP, CMRRA, BMI — Broadcast Music Inc., LatinAutor, Latin Autor — UMPG, UMPG Publishing, UMPI, AdRev Publishing, Rumblefish Publishing, Bicycle Music Co. (Publishing), SOLAR Music Rights Management, LatinAutor — SonyATV, Sony ATV Publishing, Apple Records, and 10 Music Rights Societies.
This is the first Beatles [1 HOUR] Song I edited.
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Lyrics:
You put me on a pedestal and tell me I’m the best
Raise me up into the sky until I’m short of breath
Fill me up with confidence, I say what’s in my chest
Spill my words and tear me down until there’s nothing left
Rearrange the pieces just to fit me with the rest
But what if I what if I trip, what if I what if I fall
Then am I the monster yeah, just let me know
what if I what if I sin, what if I what if I break
Then am I the monster yeah, just let me know yeaahhh
I was 15 when the world put me on a pedestal
I had big dreams of doing shows and making memories
Made some bad moves trying to act cool upset by their jealousy
Lifting me up, lifting me up, yeah and tearing me down, tearing me down, down, down,
Take responsibility for everything I’ve done, holding it against me like you’re the holy one
I had a chip on my shoulder, had to let it go
Cause unforgiveness keeps them in control, I came in with good intentions then I let it go
And now I really wanna know
What if I what if I trip, what if I what if I fall, I fall
Then am I the monster, just let me know
what if I what if I sin, what if I what if I break yeah
Then am I the monster, just let me know
Please just let me know
Please don’t let me fall
Oh please don’t let me fall
What if I’m the monster, what if I’m the monster yeah
℗ 2020 Island Records/Def Jam Recordings, a division of UMG Recordings, Inc.
Released on: 2020-11-20
Producer, Studio Personnel, Recording Engineer: Frank Dukes
Producer, Additional Producer: Matthew Tavares
Producer, Additional Producer: Kaan Gunesberk
Studio Personnel, Recording Engineer: George Seara
Studio Personnel, Engineer: Brandon Leger
Studio Personnel, Engineer: Tyler Murphy
Studio Personnel, Recording Engineer, Associated Performer, Vocal Producer: Josh Gudwin
Studio Personnel, Mixer: Manny Marroquin
Studio Personnel, Mix Engineer: Robin Florent
Studio Personnel, Assistant Mixer: Chris Galland
Studio Personnel, Assistant Mixer: Jeremie Inhaber
Studio Personnel, Vocal Engineer: Chris «TEK» ORyan
Composer Lyricist: Shawn Mendes
Composer Lyricist: Justin Bieber
Composer Lyricist: Ashton Simmonds
Composer Lyricist: Adam King Feeney
Composer Lyricist: Mustafa Ahmed
Directed by Reel Bear Media (http://reelbearmedia.com)
Adult Size Big Wheels provided by High Roller USA: HighRollerUSA.com
LYRICS
I wish I found some better sounds no one’s ever heard,
I wish I had a better voice that sang some better words,
I wish I found some chords in an order that is new,
I wish I didnt have to rhyme every time I sang,
I was told when I get older all my fears would shrink,
But now I’m insecure and I care what people think.
My name’s ‘Blurryface’ and I care what you think
Wish we could turn back time, to the good ol’ days,
When our momma sang us to sleep but now we’re stressed out.
Sometimes a certain smell will take me back to when I was young,
How come I’m never able to identify where it’s coming from,
I’d make a candle out of it if I ever found it,
Try to sell it, never sell out of it, I’d probably only sell one,
It’d be to my brother, ‘cause we have the same nose,
Same clothes homegrown a stone’s throw from a creek we used to roam,
But it would remind us of when nothing really mattered,
Out of student loans and treehouse homes we all would take the latter.
My name’s ‘Blurryface’ and I care what you think
Wish we could turn back time, to the good ol’ days,
When our momma sang us to sleep but now we’re stressed out.
We used to play pretend, give each other different names,
We would build a rocket ship and then we’d fly it far away,
Used to dream of outer space but now they’re laughing at our face,
Saying, “wake up, you need to make money."
Wish we could turn back time, to the good ol’ days,
When our momma sang us to sleep but now we’re stressed out.
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